Timing Charts - all done!

'Timing Charts' - one of the new paintings I created for the upcoming The Artist Project Toronto next month is now complete and will be for sale. (Acrylic on wood panel, 20"x16".) Animation friends and fans will likely get the reference of the painting's title and iconography in the right hand corner.

                                                            "What are timing charts??"

Here's a great video I found by Echo Bridge that explains them and their use.

 See you in Toronto in 4 short weeks!

Timing Charts - progression

Here is some progress from my latest ‬painting 'Timing Charts':

Timing Charts - tonal block-in

Here is the tonal block-in for my latest painting 'Timing Charts'. Another new painting I'm creating for The Artist Project in Toronto, February 18-21.

Timing Charts - drawings

Here is the final rough and line drawing for the painting 'Timing Charts'. One of the new paintings to be exhibited in The Artist Project Toronto February 2016. ‪

Tight rough drawing.

Clean drawing. This is what I will scan and blow up the size of the painting surface I will work on, and then print out. The purpose of the cleanup is so the lines are decisive - I don't have to guess which is the lines I want to keep.

A word about Aspect Ratio

Knowing what size you are going to make your paintings before you begin is tremendously helpful. By knowing this, you can now be exact with your composition. 

There is something called Aspect Ratio most commonly used to determine screen dimensions in broadcast media (TV, cinema films, YouTube...).  Aspect Ratio is that notice you used to see on VHS tapes stating 'this film has been formatted to fit your screen'.

The aspect ratio of the drawing for the painting above (inside the grey rectangle) is 20:16 = 20"x16" (Examples of aspect ratios of different dimensions, but the same proportions would be 5:4, 10:8, and 1:0.8)

 

By knowing this, you can create a shape in those dimensions and account for all the space used in your composition. The advantage is: when you blow up the drawing (via photocopier to transfer it to your painting surface) you won't have negative space in your painting surface that you did not account for. (see below)

I like scanning the drawing, bringing it into a digital coloring program and placing a shape over it in the dimensions of the final painting. You can always move around that shape and angle it so the drawing fits in the most interesting way. 

Then, print out that image at a manageable size to tighten up the drawing (above). Although the shape is less than the final dimensions, you know that when you scale it up, it will be EXACTLY the size you want.  There are many  print places where you can do large format printing (anything beyond 12"x18"). You can get your image printed out at the scale you want (in this case, 20"x16").